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I Can’t Love Anymore album cover

ISRC

USUM70504465

I Can’t Love Anymore

Song: I CAN'T LOVE ANYMORE

Teena Marie
matched
Released 1979-03-23

Last verified:

USUM70504465 is the International Standard Recording Code (ISRC) for the recording “I Can’t Love Anymore” by Teena Marie, released 1979-03-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES JOHNSON (AKA RICK JAMES).

Format

USCountry
UM7Registrant
05Year (2005)
04465Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAMES JOHNSON (AKA RICK JAMES)Composer
JOBETE MUSIC CO INC OriginalPublisher100.00%IPI: 00015357991

Who publishes this song?

JOBETE MUSIC CO INCOriginalPublisher
IPI: 00015357991

MLC Song Code

I2841E
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I Can’t Love Anymore" by Teena Marie?
The ISRC for "I Can’t Love Anymore" by Teena Marie is USUM70504465.
Who wrote "I Can’t Love Anymore"?
"I Can’t Love Anymore" was written by JAMES JOHNSON (AKA RICK JAMES).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM70504465?

USUM70504465 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Can’t Love Anymore” by Teena Marie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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