"A Date Which Will Live in Infamy…" album cover

ISRC

USC4R0818953

"A Date Which Will Live in Infamy…"2

Song: THE CURIOUS CASE OF BENJAMIN BUTTON (CUES)

Franklin D. Roosevelt
matched
Released 2008-01-01

Last verified:

USC4R0818953 is the International Standard Recording Code (ISRC) for the recording “"A Date Which Will Live in Infamy…" by Franklin D. Roosevelt, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALEXANDRE MICHEL GERARD DESPLAT, ALEXANDRE MICHEL GERAR DESPLAT.

Format

USCountry
C4RRegistrant
08Year (2008)
18953Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"A Date Which Will Live in Infamy…"

People also ask

What is the ISRC for ""A Date Which Will Live in Infamy…"" by Franklin D. Roosevelt?
The ISRC for ""A Date Which Will Live in Infamy…"" by Franklin D. Roosevelt is USC4R0818953.
Who wrote ""A Date Which Will Live in Infamy…""?
""A Date Which Will Live in Infamy…"" was written by ALEXANDRE MICHEL GERARD DESPLAT, ALEXANDRE MICHEL GERAR DESPLAT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R0818953?

USC4R0818953 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"A Date Which Will Live in Infamy…" by Franklin D. Roosevelt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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