Jean de la lune album cover

ISRC

FRZ126201101

Jean de la lune2

Song: JEAN DE LA LUNE

Denise BenoitChristiane LegrandAnne GermainJean CussacMarc et AndréHenri Tallourd
matched
Released 1999-06-01

Last verified:

FRZ126201101 is the International Standard Recording Code (ISRC) for the recording “Jean de la lune by Denise Benoit, Christiane Legrand, Anne Germain, Jean Cussac, Marc et André, Henri Tallourd, released 1999-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VALERIE BIME, GILLES APPARAILLY, DP.

Format

FRCountry
Z12Registrant
62Year (1962)
01101Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJean de la lune

People also ask

What is the ISRC for "Jean de la lune" by Denise Benoit?
The ISRC for "Jean de la lune" by Denise Benoit, Christiane Legrand, Anne Germain, Jean Cussac, Marc et André, Henri Tallourd is FRZ126201101.
Who wrote "Jean de la lune"?
"Jean de la lune" was written by VALERIE BIME, GILLES APPARAILLY, DP.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ126201101?

FRZ126201101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jean de la lune by Denise Benoit, Christiane Legrand, Anne Germain, Jean Cussac, Marc et André, Henri Tallourd. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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