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J'ai perdu le do de ma clarinette album cover

ISRC

FRZ126201062

J'ai perdu le do de ma clarinette2

Song: J'AI PERDU LE DO DE MA CLARINETTE

Denise BenoitMarc Et André
matched
Released 1999-06-01

Last verified:

FRZ126201062 is the International Standard Recording Code (ISRC) for the recording “J'ai perdu le do de ma clarinette” by Denise Benoit, Marc Et André, released 1999-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL WUTHE, BASTIAN KREITER, DOMINIK FRANKE, and others.

Format

FRCountry
Z12Registrant
62Year (1962)
01062Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJ'ai perdu le do de ma clarinette
IPIPAUL WUTHE

People also ask

What is the ISRC for "J'ai perdu le do de ma clarinette" by Denise Benoit?
The ISRC for "J'ai perdu le do de ma clarinette" by Denise Benoit, Marc Et André is FRZ126201062.
Who wrote "J'ai perdu le do de ma clarinette"?
"J'ai perdu le do de ma clarinette" was written by PAUL WUTHE, BASTIAN KREITER, DOMINIK FRANKE, DP.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ126201062?

FRZ126201062 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “J'ai perdu le do de ma clarinette” by Denise Benoit, Marc Et André. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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