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Real Nigga No Flex album cover

ISRC

QZ9EM1701370

Real Nigga No Flex

Song: REAL NIGGA NO FLEX

Waka Flocka FlameSizzle
unmatchedNot yet matched in the MLC database
Released 2016-07-26

Last verified:

QZ9EM1701370 is the International Standard Recording Code (ISRC) for the recording "Real Nigga No Flex" by Waka Flocka Flame, Sizzle, released 2016-07-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GENZEL TENNON.

Format

QZCountry
9EMRegistrant
17Year (2017)
01370Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GENZEL TENNONComposerLyricist
SONGTRUST BLVD OriginalPublisherIPI: 00615755145

Who publishes this song?

SONGTRUST BLVDOriginalPublisher
IPI: 00615755145
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Real Nigga No Flex" by Waka Flocka Flame?
The ISRC for "Real Nigga No Flex" by Waka Flocka Flame, Sizzle is QZ9EM1701370.
Who wrote "Real Nigga No Flex"?
"Real Nigga No Flex" was written by GENZEL TENNON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ9EM1701370?

QZ9EM1701370 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Real Nigga No Flex" by Waka Flocka Flame, Sizzle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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