Anything but Broke album cover

ISRC

QZ9EM1701794

Anything but Broke2

Song: ANYTHING BUT BROKE

Waka Flocka FlameFrench MontanaFrenchie
unmatchedNot yet matched in the MLC database
Released 2018-01-19

Last verified:

QZ9EM1701794 is the International Standard Recording Code (ISRC) for the recording “Anything but Broke” by Waka Flocka Flame, French Montana, Frenchie, released 2018-01-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSHUA HOWARD LUELLEN, KARIM KHARBOUCH, BRYAN LAMAR SIMMONS, and others.

Format

QZCountry
9EMRegistrant
17Year (2017)
01794Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAnything but Broke

People also ask

What is the ISRC for "Anything but Broke" by Waka Flocka Flame?
The ISRC for "Anything but Broke" by Waka Flocka Flame, French Montana, Frenchie is QZ9EM1701794.
Who wrote "Anything but Broke"?
"Anything but Broke" was written by JOSHUA HOWARD LUELLEN, KARIM KHARBOUCH, BRYAN LAMAR SIMMONS, JUAQUIN MALPHURS, INCONNU COMPOSITEUR AUTEUR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ9EM1701794?

QZ9EM1701794 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Anything but Broke” by Waka Flocka Flame, French Montana, Frenchie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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