Notes.fmCredits.fm
ISRCISWCIPIISNIUPCMusiciansAPIMCP
Credits.fmCredits.fm
SearchISRCCreditsWorksMore

Search

  • Credits.fm
  • isrc.fm
  • iswc.fm
  • ipi.fm
  • isni.fm
  • UPC Search
  • Musician Search
  • Credits Graph
  • Top IPIs
  • Top ISRCs
  • Top ISWCs
  • Top ISNIs
  • Top UPCs

Learn

  • What Are Music Credits?
  • What Is an ISRC?
  • What Is an ISWC?
  • What Is an IPI?
  • What Is an ISNI?
  • What Is a UPC?
  • ISRC vs ISWC
  • ISRC vs UPC
  • IPI vs ISNI
  • Glossary

Developers

  • REST API
  • Credits Graph
  • MCP Server
  • llms.txt

About

  • About Credits.fm
  • Notes.fm
  • Privacy Policy
  • Terms of Service
Notes.fm
  1. Home
  2. ISRCs
  3. GBF077110450
Il re pastore: K. 208: Act II. "L'amerò, sarò costante" album cover

ISRC

GBF077110450

Il re pastore: K. 208: Act II. "L'amerò, sarò costante"✓2

Song: Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Lucia PoppEszter PerenyiWiener Haydn-OrchesterIstván Kertész
matched
Released 2005-06-13

Last verified: August 21, 2026

GBF077110450 is the International Standard Recording Code (ISRC) for the recording “Il re pastore: K. 208: Act II. "L'amerò, sarò costante"” by Lucia Popp, Eszter Perenyi, Wiener Haydn-Orchester, István Kertész, released 2005-06-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T8013765953.

Format

GBCountry
F07Registrant
71Year (1971)
10450Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1971):
Last two digits of the reference year (1971). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIl re pastore: K. 208: Act II. "L'amerò, sarò costante"
ISWCIl rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Musical Work (ISWC)

T8013765953Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Credits Graph

MLC Song Code

L9319J
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Il re pastore: K. 208: Act II. "L'amerò, sarò costante"" by Lucia Popp?+
The ISRC for "Il re pastore: K. 208: Act II. "L'amerò, sarò costante"" by Lucia Popp, Eszter Perenyi, Wiener Haydn-Orchester, István Kertész is GBF077110450.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBF077110450 is the ISRC for this recording; T8013765953 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

Collect royalties for this recording

Notes is distribution, publishing administration, and royalty collection in one account. Flat subscription. Notes does not take a percentage of royalties.

Collect royalties with Notes

What is ISRC GBF077110450?

GBF077110450 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il re pastore: K. 208: Act II. "L'amerò, sarò costante"” by Lucia Popp, Eszter Perenyi, Wiener Haydn-Orchester, István Kertész. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T8013765953, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Related

Other versions of this workView all on iswc.fm

Il re pastore, K. 208, Act II, Scene 6: Aria: “L’amerò, sarò costante” (Aminta)

Cecilia Bartoli, Maxim Vengerov, Kammerorchester Basel, Muhai Tang

GBBBC2100528
Il re pastore: "L'amerò, sarò costante"

Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras

GBF079541904
L'amerò, sarò costante from Il rè pastore, K. 208

Kathleen Battle, Royal Philharmonic Orchestra, André Previn

GBAYC8500604
Il re pastore, K. 208, Act 2: L'amerò, sarò costante

Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon

GBBBC2200210
Il rè pastore: L'amerò, sarò costante

Shu-Cheen Yu, Sinfonia Australis, Antony Walker

AUAB00150033

More by Lucia Popp

Vier Letzte Lieder, AV150 Op. posth: September

Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt

GBAYC8200137
Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"

Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, István Kertész

GBF076540402
Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied)

Lucia Popp, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner

GBAYC8602653
Rusalka: Song to the Moon

Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész

GBAYC8700951
Peer Gynt, op. 23, Act 2: No. 7, In the Hall of the Mountain King

Ambrosian Singers, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner

GBAYC8200237
Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss”

Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner

GBAYC8600209
Lucia PoppEszter PerenyiWiener Haydn-OrchesterIstván Kertész

GBF077110450 is the International Standard Recording Code (ISRC) for the recording “Il re pastore: K. 208: Act II. "L'amerò, sarò costante"” by Lucia Popp, Eszter Perenyi, Wiener Haydn-Orchester, István Kertész, released 2005-06-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T8013765953.

Lucia Popp, Eszter Perenyi, Wiener Haydn-Orchester, István Kertész