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  1. Home
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  3. GBF079541904
Il re pastore: "L'amerò, sarò costante" album cover

ISRC

GBF079541904

Il re pastore: "L'amerò, sarò costante"✓2

Song: Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Renée FlemingKrista Bennion FeeneyOrchestra of St. Luke’sCharles Mackerras
matched
Released 1996-01-01

Last verified: September 19, 2026

GBF079541904 is the International Standard Recording Code (ISRC) for the recording “Il re pastore: "L'amerò, sarò costante"” by Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T8013765953.

Format

GBCountry
F07Registrant
95Year (1995)
41904Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIl re pastore: "L'amerò, sarò costante"
ISWCIl rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Musical Work (ISWC)

T8013765953Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Credits Graph

MLC Song Code

L9319J
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Il re pastore: "L'amerò, sarò costante"" by Renée Fleming?+
The ISRC for "Il re pastore: "L'amerò, sarò costante"" by Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras is GBF079541904.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBF079541904 is the ISRC for this recording; T8013765953 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC GBF079541904?

GBF079541904 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il re pastore: "L'amerò, sarò costante"” by Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T8013765953, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Renée FlemingKrista Bennion FeeneyOrchestra of St. Luke’sCharles Mackerras

GBF079541904 is the International Standard Recording Code (ISRC) for the recording “Il re pastore: "L'amerò, sarò costante"” by Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T8013765953.

Renée Fleming, Krista Bennion Feeney, Orchestra of St. Luke’s, Charles Mackerras

Related

Other versions of this workView all on iswc.fm

Il re pastore: L'amerò, sarò costante

Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner

NLA509503107
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis

NLA508106805
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)

Angela Maria Blasi, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner

NLA508840121
L'amerò, sarò costante from Il rè pastore, K. 208

Kathleen Battle, Royal Philharmonic Orchestra, André Previn

GBAYC8500604
Il re pastore, K. 208, Act 2: L'amerò, sarò costante

Samuel Mariño, La Cetra Barockorchester Basel, Andrea Marcon

GBBBC2200210

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