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ISRC

DEF055801330

Konzert für Fagott und Orchester B-Dur KV 191 (186e): 2. Andante ma adagio

Song: Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio

Maurice AllardOrchestre LamoureuxIgor Markevitch
Released 1994-01-03

Last verified:

DEF055801330 is the International Standard Recording Code (ISRC) for the recording "Konzert für Fagott und Orchester B-Dur KV 191 (186e): 2. Andante ma adagio" by Maurice Allard, Orchestre Lamoureux, Igor Markevitch, released 1994-01-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
58Year (1958)
01330Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Konzert für Fagott und Orchester B-Dur KV 191 (186e): 2. Andante ma adagio" by Maurice Allard?
The ISRC for "Konzert für Fagott und Orchester B-Dur KV 191 (186e): 2. Andante ma adagio" by Maurice Allard, Orchestre Lamoureux, Igor Markevitch is DEF055801330.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055801330?

DEF055801330 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Konzert für Fagott und Orchester B-Dur KV 191 (186e): 2. Andante ma adagio" by Maurice Allard, Orchestre Lamoureux, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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