Bilder einer Ausstellung: 1. Gnom album cover

ISRC

DEF055331002

Bilder einer Ausstellung: 1. Gnom2

Song: GNOMUS

Berliner PhilharmonikerIgor Markevitch
matched
Released 1954-01-01

Last verified:

DEF055331002 is the International Standard Recording Code (ISRC) for the recording “Bilder einer Ausstellung: 1. Gnom by Berliner Philharmoniker, Igor Markevitch, released 1954-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAURICE JOSEPH RAVEL, MODEST PETROVICH MUSSORGSKY.

Format

DECountry
F05Registrant
53Year (1953)
31002Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1953):
Last two digits of the reference year (1953). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBilder einer Ausstellung: 1. Gnom

People also ask

What is the ISRC for "Bilder einer Ausstellung: 1. Gnom" by Berliner Philharmoniker?
The ISRC for "Bilder einer Ausstellung: 1. Gnom" by Berliner Philharmoniker, Igor Markevitch is DEF055331002.
Who wrote "Bilder einer Ausstellung: 1. Gnom"?
"Bilder einer Ausstellung: 1. Gnom" was written by MAURICE JOSEPH RAVEL, MODEST PETROVICH MUSSORGSKY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055331002?

DEF055331002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bilder einer Ausstellung: 1. Gnom by Berliner Philharmoniker, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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