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Epic I album cover

ISRC

USWB11901272

Epic I2

Song: EPIC (PART ONE)

Reeve CarneyAndré De Shields
matched
Released 2019-06-21

Last verified:

USWB11901272 is the International Standard Recording Code (ISRC) for the recording “Epic I” by Reeve Carney, André De Shields, released 2019-06-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANAIS MITCHELL.

Format

USCountry
WB1Registrant
19Year (2019)
01272Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANAIS MITCHELLComposer
TRELEVEN MUSIC OriginalPublisherIPI: 00493791603
SHELLY BAY MUSIC RightsAdministratorIPI: 00437714938

Who publishes this song?

TRELEVEN MUSICOriginalPublisher
IPI: 00493791603
SHELLY BAY MUSICRightsAdministrator
IPI: 00437714938

Credits Graph

MLC Song Code

EVBZS7
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Epic I" by Reeve Carney?
The ISRC for "Epic I" by Reeve Carney, André De Shields is USWB11901272.
Who wrote "Epic I"?
"Epic I" was written by ANAIS MITCHELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB11901272?

USWB11901272 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Epic I” by Reeve Carney, André De Shields. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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