Keep It 100 album cover

ISRC

USUYG1072309

Keep It 100

Song: KEEP IT 100

Jim JonesZoey DollazBall GreezyYDV StuckBlack City VickDyfl
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USUYG1072309 is the International Standard Recording Code (ISRC) for the recording "Keep It 100" by Jim Jones, Zoey Dollaz, Ball Greezy, YD, V Stuck, Black City Vick, Dyfl. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KINTA COX, JAMES EDWARD WARREN, JOSEPH JONES II, and others.

Format

USCountry
UYGRegistrant
10Year (2010)
72309Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCKeep It 100

People also ask

What is the ISRC for "Keep It 100" by Jim Jones?
The ISRC for "Keep It 100" by Jim Jones, Zoey Dollaz, Ball Greezy, YD, V Stuck, Black City Vick, Dyfl is USUYG1072309.
Who wrote "Keep It 100"?
"Keep It 100" was written by KINTA COX, JAMES EDWARD WARREN, JOSEPH JONES II, ALEX SHAWN, ELVIS MILORD, DANIEL LEBRUN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1072309?

USUYG1072309 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Keep It 100" by Jim Jones, Zoey Dollaz, Ball Greezy, YD, V Stuck, Black City Vick, Dyfl. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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