FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE album cover

ISRC

USUM72316766

FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE

Song: FIRE THE EDITOR

JAMES BLAKE
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Last verified:

USUM72316766 is the International Standard Recording Code (ISRC) for the recording "FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE" by JAMES BLAKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT JAMES PAUL MCANDREWS, JAMES BLAKE LITHERLAND, JAMEELA JAMIL.

Format

USCountry
UM7Registrant
23Year (2023)
16766Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE

People also ask

What is the ISRC for "FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE" by JAMES BLAKE?
The ISRC for "FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE" by JAMES BLAKE is USUM72316766.
Who wrote "FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE"?
"FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE" was written by ROBERT JAMES PAUL MCANDREWS, JAMES BLAKE LITHERLAND, JAMEELA JAMIL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72316766?

USUM72316766 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FIRE THE EDITOR PT 1 ENDEL CHILL SOUNDSCAPE" by JAMES BLAKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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