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QUE QUIERES DE MI (ALBUM VERSION) album cover

ISRC

USUM71404549

QUE QUIERES DE MI (ALBUM VERSION)

Song: QUE QUIERES DE MI

LUIS FONSIVARIOUS ARTISTS
unmatchedNot yet matched in the MLC database

Last verified:

USUM71404549 is the International Standard Recording Code (ISRC) for the recording "QUE QUIERES DE MI (ALBUM VERSION)" by LUIS FONSI, VARIOUS ARTISTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NAHUEL SCHAJRIS RODRIGUEZ, LUIS FONSI, CLAUDIA ALEJANDRA MENKARSKI.

Format

USCountry
UM7Registrant
14Year (2014)
04549Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCQUE QUIERES DE MI (ALBUM VERSION)
IPINAHUEL SCHAJRIS RODRIGUEZ

People also ask

What is the ISRC for "QUE QUIERES DE MI (ALBUM VERSION)" by LUIS FONSI?
The ISRC for "QUE QUIERES DE MI (ALBUM VERSION)" by LUIS FONSI, VARIOUS ARTISTS is USUM71404549.
Who wrote "QUE QUIERES DE MI (ALBUM VERSION)"?
"QUE QUIERES DE MI (ALBUM VERSION)" was written by NAHUEL SCHAJRIS RODRIGUEZ, LUIS FONSI, CLAUDIA ALEJANDRA MENKARSKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71404549?

USUM71404549 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "QUE QUIERES DE MI (ALBUM VERSION)" by LUIS FONSI, VARIOUS ARTISTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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