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Grooveline, Part 2 album cover

ISRC

USUM71400318

Grooveline, Part 2

Song: GROOVELINE PT. 2

ScHoolboy QSuga Free
unmatchedNot yet matched in the MLC database
Released 2014-02-25

Last verified:

USUM71400318 is the International Standard Recording Code (ISRC) for the recording "Grooveline, Part 2" by ScHoolboy Q, Suga Free, released 2014-02-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM KING FEENEY, QUINCY MATTHEW HANLEY, DONTE LAMAR PERKINS, and others.

Format

USCountry
UM7Registrant
14Year (2014)
00318Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGrooveline, Part 2
IPIADAM KING FEENEY

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Songwriter profiles

ADAM KING FEENEYIPIQUINCY MATTHEW HANLEYIPIDONTE LAMAR PERKINSIPI

People also ask

What is the ISRC for "Grooveline, Part 2" by ScHoolboy Q?
The ISRC for "Grooveline, Part 2" by ScHoolboy Q, Suga Free is USUM71400318.
Who wrote "Grooveline, Part 2"?
"Grooveline, Part 2" was written by ADAM KING FEENEY, QUINCY MATTHEW HANLEY, DONTE LAMAR PERKINS, WALKER DAJUAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71400318?

USUM71400318 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Grooveline, Part 2" by ScHoolboy Q, Suga Free. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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