NECESSARY EVILS album cover

ISRC

USUG12504208

NECESSARY EVILS

FINNEASASHETHE FAVORSFINNEAS THE FAVORS ASHETHE FAVORS & FINNEAS & ASHE
unmatchedNot yet matched in the MLC database
Released 2025-09-19

Last verified:

USUG12504208 is the International Standard Recording Code (ISRC) for the recording "NECESSARY EVILS" by FINNEAS, ASHE, THE FAVORS, FINNEAS THE FAVORS ASHE, THE FAVORS & FINNEAS & ASHE, released 2025-09-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FINNEAS BAIRD OCONNELL, ASHLYN RAE WILLSON.

Format

USCountry
UG1Registrant
25Year (2025)
04208Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNECESSARY EVILS

People also ask

What is the ISRC for "NECESSARY EVILS" by FINNEAS?
The ISRC for "NECESSARY EVILS" by FINNEAS, ASHE, THE FAVORS, FINNEAS THE FAVORS ASHE, THE FAVORS & FINNEAS & ASHE is USUG12504208.
Who wrote "NECESSARY EVILS"?
"NECESSARY EVILS" was written by FINNEAS BAIRD OCONNELL, ASHLYN RAE WILLSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUG12504208?

USUG12504208 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "NECESSARY EVILS" by FINNEAS, ASHE, THE FAVORS, FINNEAS THE FAVORS ASHE, THE FAVORS & FINNEAS & ASHE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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