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ISRC

USSR20900119

Majini II

Kota SuzukiHideki Okugawa
Released 2009-03-05

Last verified: September 1, 2026

USSR20900119 is the International Standard Recording Code (ISRC) for the recording “Majini II” by Kota Suzuki, Hideki Okugawa, released 2009-03-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SR2Registrant
09Year (2009)
00119Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Majini II" by Kota Suzuki?+
The ISRC for "Majini II" by Kota Suzuki, Hideki Okugawa is USSR20900119.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC USSR20900119?

USSR20900119 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Majini II” by Kota Suzuki, Hideki Okugawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Kota SuzukiHideki Okugawa

USSR20900119 is the International Standard Recording Code (ISRC) for the recording “Majini II” by Kota Suzuki, Hideki Okugawa, released 2009-03-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Kota Suzuki, Hideki Okugawa

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