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They Call It Making Love album cover

ISRC

USSM17800599

They Call It Making Love2

Song: THEY CALL IT MAKING LOVE

Tammy Wynette
matched
Released 1979-01-01

Last verified:

USSM17800599 is the International Standard Recording Code (ISRC) for the recording “They Call It Making Love” by Tammy Wynette, released 1979-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by B BRADDOCK.

Format

USCountry
SM1Registrant
78Year (1978)
00599Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1978):
Last two digits of the reference year (1978). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

B BRADDOCKComposer
SONY/ATV TREE PUBLISHING OriginalPublisher100.00%IPI: 00425389934

Who publishes this song?

SONY/ATV TREE PUBLISHINGOriginalPublisher
IPI: 00425389934

Credits Graph

MLC Song Code

T32220
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "They Call It Making Love" by Tammy Wynette?
The ISRC for "They Call It Making Love" by Tammy Wynette is USSM17800599.
Who wrote "They Call It Making Love"?
"They Call It Making Love" was written by B BRADDOCK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM17800599?

USSM17800599 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “They Call It Making Love” by Tammy Wynette. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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