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Miss You (live in LA) album cover

ISRC

USSM12109651

Miss You (live in LA)

Song: MISS YOU

AJ Mitchell
unmatchedNot yet matched in the MLC database
Released 2021-12-17

Last verified:

USSM12109651 is the International Standard Recording Code (ISRC) for the recording "Miss You (live in LA)" by AJ Mitchell, released 2021-12-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS MICHAEL DEAN, ROLAND MAX SPRECKLEY, ANNIKA WELLS, and others.

Format

USCountry
SM1Registrant
21Year (2021)
09651Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMiss You (live in LA)
IPITHOMAS MICHAEL DEAN

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Songwriter profiles

THOMAS MICHAEL DEANIPIROLAND MAX SPRECKLEYIPI

People also ask

What is the ISRC for "Miss You (live in LA)" by AJ Mitchell?
The ISRC for "Miss You (live in LA)" by AJ Mitchell is USSM12109651.
Who wrote "Miss You (live in LA)"?
"Miss You (live in LA)" was written by THOMAS MICHAEL DEAN, ROLAND MAX SPRECKLEY, ANNIKA WELLS, AARON FREDERICK MITCHELL, SAGE SKOLFIELD, SEAN SOLYMER, DANIEL MICHAEL GLEYZER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM12109651?

USSM12109651 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Miss You (live in LA)" by AJ Mitchell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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