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PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977] album cover

ISRC

USRH10900718

PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]

Song: PASSENGER

GRATEFUL DEAD
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Last verified:

USRH10900718 is the International Standard Recording Code (ISRC) for the recording “PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]” by GRATEFUL DEAD. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHILIP LESH.

Format

USCountry
RH1Registrant
09Year (2009)
00718Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]
IPIPHILIP LESH

People also ask

What is the ISRC for "PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]" by GRATEFUL DEAD?
The ISRC for "PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]" by GRATEFUL DEAD is USRH10900718.
Who wrote "PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]"?
"PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]" was written by PHILIP LESH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRH10900718?

USRH10900718 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PASSENGER [LIVE AT FOX THEATRE, ATLANTA, GA, MAY 19, 1977]” by GRATEFUL DEAD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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