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Dunrobin's Gone album cover

ISRC

USRE10102161

Dunrobin's Gone2

Song: DUNROBIN'S GONE

Brave Belt
unmatchedNot yet matched in the MLC database
Released 1972-01-01

Last verified:

USRE10102161 is the International Standard Recording Code (ISRC) for the recording “Dunrobin's Gone” by Brave Belt, released 1972-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
RE1Registrant
01Year (2001)
02161Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

ALAN KOBELComposer
BARRY ERICKSONComposer

MLC Song Code

D37496
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Dunrobin's Gone" by Brave Belt?
The ISRC for "Dunrobin's Gone" by Brave Belt is USRE10102161.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRE10102161?

USRE10102161 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dunrobin's Gone” by Brave Belt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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