THESE FOUR WALLS A COLORS SHOW album cover

ISRC

USRC12301404

THESE FOUR WALLS A COLORS SHOW2

Song: THESE FOUR WALLS

KHAMARI
matched
Released 2023-06-05

Last verified:

USRC12301404 is the International Standard Recording Code (ISRC) for the recording “THESE FOUR WALLS A COLORS SHOW by KHAMARI, released 2023-06-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PARRISH WARRINGTON, DIEDERIK VAN ELSAS, ANDRES FELIPE REBELLON, and others.

Format

USCountry
RC1Registrant
23Year (2023)
01404Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHESE FOUR WALLS A COLORS SHOW

People also ask

What is the ISRC for "THESE FOUR WALLS A COLORS SHOW" by KHAMARI?
The ISRC for "THESE FOUR WALLS A COLORS SHOW" by KHAMARI is USRC12301404.
Who wrote "THESE FOUR WALLS A COLORS SHOW"?
"THESE FOUR WALLS A COLORS SHOW" was written by PARRISH WARRINGTON, DIEDERIK VAN ELSAS, ANDRES FELIPE REBELLON, KHAMARI BARNES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRC12301404?

USRC12301404 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THESE FOUR WALLS A COLORS SHOW by KHAMARI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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