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Welcome to the Moulin Rouge! album cover

ISRC

USRC11902293

Welcome to the Moulin Rouge!

Danny BursteinJacqueline B. ArnoldRobyn HurderHolly JamesJeigh MadjusTam MutuAaron TveitSahr NgaujahRicky Rojas

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USRC11902293 is the International Standard Recording Code (ISRC) for the recording "Welcome to the Moulin Rouge!" by Danny Burstein, Jacqueline B. Arnold, Robyn Hurder, Holly James, Jeigh Madjus, Tam Mutu, Aaron Tveit, Sahr Ngaujah, Ricky Rojas. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
RC1Registrant
19Year (2019)
02293Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Welcome to the Moulin Rouge!" by Danny Burstein?
The ISRC for "Welcome to the Moulin Rouge!" by Danny Burstein, Jacqueline B. Arnold, Robyn Hurder, Holly James, Jeigh Madjus, Tam Mutu, Aaron Tveit, Sahr Ngaujah, Ricky Rojas is USRC11902293.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRC11902293?

USRC11902293 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Welcome to the Moulin Rouge!" by Danny Burstein, Jacqueline B. Arnold, Robyn Hurder, Holly James, Jeigh Madjus, Tam Mutu, Aaron Tveit, Sahr Ngaujah, Ricky Rojas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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