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CANNON / PARTY OF SPECIAL THINGS TO DO album cover

ISRC

USQX92301057

CANNON / PARTY OF SPECIAL THINGS TO DO

Song: PARTY OF SPECIAL THINGS TO DO

The White Stripes
unmatchedNot yet matched in the MLC database
Released 2013-01-01

Last verified:

USQX92301057 is the International Standard Recording Code (ISRC) for the recording “CANNON / PARTY OF SPECIAL THINGS TO DO” by The White Stripes, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELLIOT INGBER, DON VAN VLIET.

Format

USCountry
QX9Registrant
23Year (2023)
01057Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCANNON / PARTY OF SPECIAL THINGS TO DO
IPIELLIOT INGBER

People also ask

What is the ISRC for "CANNON / PARTY OF SPECIAL THINGS TO DO" by The White Stripes?
The ISRC for "CANNON / PARTY OF SPECIAL THINGS TO DO" by The White Stripes is USQX92301057.
Who wrote "CANNON / PARTY OF SPECIAL THINGS TO DO"?
"CANNON / PARTY OF SPECIAL THINGS TO DO" was written by ELLIOT INGBER, DON VAN VLIET.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQX92301057?

USQX92301057 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CANNON / PARTY OF SPECIAL THINGS TO DO” by The White Stripes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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