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Como me duele album cover

ISRC

USPTH0800007

Como me duele2

Song: COMO ME DUELE

Domingo Quiñones
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Last verified:

USPTH0800007 is the International Standard Recording Code (ISRC) for the recording “Como me duele” by Domingo Quiñones. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DOMINGO QUINONES ARROYO.

Format

USCountry
PTHRegistrant
08Year (2008)
00007Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DOMINGO QUINONES ARROYOComposerLyricist
CODISCOS S A S OriginalPublisher0.00%IPI: 00478650219
SPIRIT TWO MUSIC CRESCENDO OriginalPublisher100.00%IPI: 01174826144

Who publishes this song?

CODISCOS S A SOriginalPublisher
IPI: 00478650219
SPIRIT TWO MUSIC CRESCENDOOriginalPublisher
IPI: 01174826144

MLC Song Code

C9029V
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Como me duele" by Domingo Quiñones?
The ISRC for "Como me duele" by Domingo Quiñones is USPTH0800007.
Who wrote "Como me duele"?
"Como me duele" was written by DOMINGO QUINONES ARROYO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USPTH0800007?

USPTH0800007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Como me duele” by Domingo Quiñones. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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