Just Leave Everything to Me album cover

ISRC

USPR36900005

Just Leave Everything to Me

Song: JUST LEAVE EVERYTHING TO ME

Jerry Herman
unmatchedNot yet matched in the MLC database
Released 1969-01-01

Last verified:

USPR36900005 is the International Standard Recording Code (ISRC) for the recording "Just Leave Everything to Me" by Jerry Herman, released 1969-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
PR3Registrant
69Year (1969)
00005Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JERRY HERMANComposer
JERRYCO-MUSIC CO OriginalPublisher0.00%
MPL MUSIC PUBLISHING INC. KOBALT MUSIC PUB AMERICA INC RightsAdministrator100.00%

Who publishes this song?

JERRYCO-MUSIC COOriginalPublisher
MPL MUSIC PUBLISHING INC. KOBALT MUSIC PUB AMERICA INCRightsAdministrator

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Just Leave Everything to Me" by Jerry Herman?
The ISRC for "Just Leave Everything to Me" by Jerry Herman is USPR36900005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USPR36900005?

USPR36900005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Just Leave Everything to Me" by Jerry Herman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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