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Hello New Orleans album cover

ISRC

USMR10110159

Hello New Orleans

Song: HELLO NEW ORLEANS

Robert Earl Keen
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Last verified:

USMR10110159 is the International Standard Recording Code (ISRC) for the recording “Hello New Orleans” by Robert Earl Keen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT EARL KEEN JR..

Format

USCountry
MR1Registrant
01Year (2001)
10159Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT EARL KEEN JR.Composer
KEEN EDGE MUSIC OriginalPublisher0.00%
IRVING MUSIC RightsAdministrator100.00%IPI: 00355698807

Who publishes this song?

KEEN EDGE MUSICOriginalPublisher
IRVING MUSICRightsAdministrator
IPI: 00355698807

MLC Song Code

H36985
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hello New Orleans" by Robert Earl Keen?
The ISRC for "Hello New Orleans" by Robert Earl Keen is USMR10110159.
Who wrote "Hello New Orleans"?
"Hello New Orleans" was written by ROBERT EARL KEEN JR..
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMR10110159?

USMR10110159 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hello New Orleans” by Robert Earl Keen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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