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I’m Bad Like Jesse James album cover

ISRC

USMC16650628

I’m Bad Like Jesse James

Song: I'M BAD LIKE JESSE JAMES

John Lee Hooker
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Last verified:

USMC16650628 is the International Standard Recording Code (ISRC) for the recording "I’m Bad Like Jesse James" by John Lee Hooker. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by J.L. HOOKER.

Format

USCountry
MC1Registrant
66Year (1966)
50628Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

J.L. HOOKERComposer
JOHN LEE HOOKER MUSIC CORP OriginalPublisher0.00%
CONCORD BLUFF WORKS OriginalPublisher100.00%IPI: 01233872064

Who publishes this song?

JOHN LEE HOOKER MUSIC CORPOriginalPublisher
CONCORD BLUFF WORKSOriginalPublisher
IPI: 01233872064
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I’m Bad Like Jesse James" by John Lee Hooker?
The ISRC for "I’m Bad Like Jesse James" by John Lee Hooker is USMC16650628.
Who wrote "I’m Bad Like Jesse James"?
"I’m Bad Like Jesse James" was written by J.L. HOOKER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC16650628?

USMC16650628 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I’m Bad Like Jesse James" by John Lee Hooker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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