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Wedding Bells album cover

ISRC

USMC16110860

Wedding Bells

Song: WEDDING BELLS

Bill Anderson
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Last verified:

USMC16110860 is the International Standard Recording Code (ISRC) for the recording "Wedding Bells" by Bill Anderson. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLAUDE BOONE.

Format

USCountry
MC1Registrant
61Year (1961)
10860Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1961):
Last two digits of the reference year (1961). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLAUDE BOONEComposer
MORLEY MUSIC CO. OriginalPublisher0.00%IPI: 00053837762
MPL MUSIC PUBLISHING INC. KOBALT MUSIC PUB AMERICA INC RightsAdministrator100.00%

Who publishes this song?

MORLEY MUSIC CO.OriginalPublisher
IPI: 00053837762
MPL MUSIC PUBLISHING INC. KOBALT MUSIC PUB AMERICA INCRightsAdministrator

MLC Song Code

W21000
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Wedding Bells" by Bill Anderson?
The ISRC for "Wedding Bells" by Bill Anderson is USMC16110860.
Who wrote "Wedding Bells"?
"Wedding Bells" was written by CLAUDE BOONE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC16110860?

USMC16110860 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Wedding Bells" by Bill Anderson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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