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You're Gonna Miss Me (feat. Bobby McClure) album cover

ISRC

USMC10346485

You're Gonna Miss Me (feat. Bobby McClure)

Song: YOU'RE GONNA MISS ME

Fontella Bass
matched
Released 2006-01-01

Last verified:

USMC10346485 is the International Standard Recording Code (ISRC) for the recording “You're Gonna Miss Me (feat. Bobby McClure)” by Fontella Bass, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROQUEL DAVIS, CARL SMITH, RAYNARD MINER.

Format

USCountry
MC1Registrant
03Year (2003)
46485Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYou're Gonna Miss Me (feat. Bobby McClure)
IPIROQUEL DAVIS

People also ask

What is the ISRC for "You're Gonna Miss Me (feat. Bobby McClure)" by Fontella Bass?
The ISRC for "You're Gonna Miss Me (feat. Bobby McClure)" by Fontella Bass is USMC10346485.
Who wrote "You're Gonna Miss Me (feat. Bobby McClure)"?
"You're Gonna Miss Me (feat. Bobby McClure)" was written by ROQUEL DAVIS, CARL SMITH, RAYNARD MINER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC10346485?

USMC10346485 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You're Gonna Miss Me (feat. Bobby McClure)” by Fontella Bass. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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