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Somebody Steals the Show album cover

ISRC

USMC10200957

Somebody Steals the Show

Song: SOMEBODY STEALS THE SHOW

Shade Sheist
matched
Released 2002-09-10

Last verified:

USMC10200957 is the International Standard Recording Code (ISRC) for the recording "Somebody Steals the Show" by Shade Sheist, released 2002-09-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAMION L YOUNG, TRAMAYNE RAYEL THOMPSON, HOWIE B HERSH.

Format

USCountry
MC1Registrant
02Year (2002)
00957Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAMION L YOUNGComposer
TRAMAYNE RAYEL THOMPSONComposer
HOWIE B HERSHComposer

MLC Song Code

X2861X
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "Somebody Steals the Show" by Shade Sheist?
The ISRC for "Somebody Steals the Show" by Shade Sheist is USMC10200957.
Who wrote "Somebody Steals the Show"?
"Somebody Steals the Show" was written by DAMION L YOUNG, TRAMAYNE RAYEL THOMPSON, HOWIE B HERSH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC10200957?

USMC10200957 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Somebody Steals the Show" by Shade Sheist. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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