Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons) album cover

ISRC

USMBR2315664

Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons)

Song: DRAGON'S LAIR (COSMIC FLAMES AND FOUR BARBARIC SEASONS)

Behemoth
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Last verified:

USMBR2315664 is the International Standard Recording Code (ISRC) for the recording “Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons) by Behemoth. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM DARSKI.

Format

USCountry
MBRRegistrant
23Year (2023)
15664Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDragon’s Lair (Cosmic Flames and Four Barbaric Seasons)

People also ask

What is the ISRC for "Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons)" by Behemoth?
The ISRC for "Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons)" by Behemoth is USMBR2315664.
Who wrote "Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons)"?
"Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons)" was written by ADAM DARSKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR2315664?

USMBR2315664 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dragon’s Lair (Cosmic Flames and Four Barbaric Seasons) by Behemoth. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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