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Dear Floating Water album cover

ISRC

USMBR0602963

Dear Floating Water

Song: FOR SASCHA

Fragments of Unbecoming
matched

Last verified:

USMBR0602963 is the International Standard Recording Code (ISRC) for the recording “Dear Floating Water” by Fragments of Unbecoming. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BELA FLECK.

Format

USCountry
MBRRegistrant
06Year (2006)
02963Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BELA FLECKComposer
FLECK MUSIC OriginalPublisher0.00%IPI: 00217848645
DOWNTOWN DMP SONGS RightsAdministrator100.00%IPI: 00508176945

Who publishes this song?

FLECK MUSICOriginalPublisher
IPI: 00217848645
DOWNTOWN DMP SONGSRightsAdministrator
IPI: 00508176945
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Dear Floating Water" by Fragments of Unbecoming?
The ISRC for "Dear Floating Water" by Fragments of Unbecoming is USMBR0602963.
Who wrote "Dear Floating Water"?
"Dear Floating Water" was written by BELA FLECK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR0602963?

USMBR0602963 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dear Floating Water” by Fragments of Unbecoming. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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