Tell Me What They’re Saying Can’t Be True album cover

ISRC

USMAR1712014

Tell Me What They’re Saying Can’t Be True

Song: TELL ME WHAT THEY'RE SAYING CAN'T BE TRUE

Cécile McLorin Salvant
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Released 2017-09-28

Last verified:

USMAR1712014 is the International Standard Recording Code (ISRC) for the recording "Tell Me What They’re Saying Can’t Be True" by Cécile McLorin Salvant, released 2017-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BUDDY JOHNSON.

Format

USCountry
MARRegistrant
17Year (2017)
12014Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BUDDY JOHNSONComposer

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tell Me What They’re Saying Can’t Be True" by Cécile McLorin Salvant?
The ISRC for "Tell Me What They’re Saying Can’t Be True" by Cécile McLorin Salvant is USMAR1712014.
Who wrote "Tell Me What They’re Saying Can’t Be True"?
"Tell Me What They’re Saying Can’t Be True" was written by BUDDY JOHNSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMAR1712014?

USMAR1712014 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tell Me What They’re Saying Can’t Be True" by Cécile McLorin Salvant. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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