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ISRC

USLZJ2219064

Once Upon A Time In New York City (Oliver & Co)2

Song: ONCE UPON A TIME IN N.Y.C.

The Soundtrack Specials
matched

Last verified:

USLZJ2219064 is the International Standard Recording Code (ISRC) for the recording “Once Upon A Time In New York City (Oliver & Co)” by The Soundtrack Specials. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HOWARD ELLIOTT ASHMAN, BARRY MANN.

Format

USCountry
LZJRegistrant
22Year (2022)
19064Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOnce Upon A Time In New York City (Oliver & Co)
IPIHOWARD ELLIOTT ASHMAN

People also ask

What is the ISRC for "Once Upon A Time In New York City (Oliver & Co)" by The Soundtrack Specials?
The ISRC for "Once Upon A Time In New York City (Oliver & Co)" by The Soundtrack Specials is USLZJ2219064.
Who wrote "Once Upon A Time In New York City (Oliver & Co)"?
"Once Upon A Time In New York City (Oliver & Co)" was written by HOWARD ELLIOTT ASHMAN, BARRY MANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLZJ2219064?

USLZJ2219064 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Once Upon A Time In New York City (Oliver & Co)” by The Soundtrack Specials. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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