Things I’d Like to Say album cover

ISRC

USKRS1764206

Things I’d Like to Say2

Song: THINGS I'D LIKE TO SAY

Cindy Wilson
unmatchedNot yet matched in the MLC database
Released 2017-11-17

Last verified:

USKRS1764206 is the International Standard Recording Code (ISRC) for the recording “Things I’d Like to Say by Cindy Wilson, released 2017-11-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
KRSRegistrant
17Year (2017)
64206Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

RONALD RICEComposer
LESLIE KUMMELComposer

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Things I’d Like to Say" by Cindy Wilson?
The ISRC for "Things I’d Like to Say" by Cindy Wilson is USKRS1764206.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USKRS1764206?

USKRS1764206 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Things I’d Like to Say by Cindy Wilson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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