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Let Me Get Next to You album cover

ISRC

USJRC0401317

Let Me Get Next to You2

Song: LET ME GET NEXT TO YOU

The Soul Brothers Six
matched
Released 2000-01-01

Last verified:

USJRC0401317 is the International Standard Recording Code (ISRC) for the recording “Let Me Get Next to You” by The Soul Brothers Six, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN ELLISON.

Format

USCountry
JRCRegistrant
04Year (2004)
01317Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOHN ELLISONComposer
JAMIE MUSIC PUBLISHING CO OriginalPublisher

Who publishes this song?

JAMIE MUSIC PUBLISHING COOriginalPublisher

Credits Graph

MLC Song Code

L51227
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Let Me Get Next to You" by The Soul Brothers Six?
The ISRC for "Let Me Get Next to You" by The Soul Brothers Six is USJRC0401317.
Who wrote "Let Me Get Next to You"?
"Let Me Get Next to You" was written by JOHN ELLISON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USJRC0401317?

USJRC0401317 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Let Me Get Next to You” by The Soul Brothers Six. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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