Desde que la vi album cover

ISRC

USJ3V1497656

Desde que la vi

Song: DESDE QUE LA VI (MUJER CARIñOSA)

Los Hermanos Rosario
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Last verified:

USJ3V1497656 is the International Standard Recording Code (ISRC) for the recording "Desde que la vi" by Los Hermanos Rosario. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PURA ALVAREZ DE ACOSTA ( DIONISIO MEJIA- GUADULITO).

Format

USCountry
J3VRegistrant
14Year (2014)
97656Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PURA ALVAREZ DE ACOSTA ( DIONISIO MEJIA- GUADULITO)ComposerLyricist
KAREN PUBLISHING COMPANY OriginalPublisher100.00%IPI: 00133821101

Who publishes this song?

KAREN PUBLISHING COMPANYOriginalPublisher
IPI: 00133821101

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Desde que la vi" by Los Hermanos Rosario?
The ISRC for "Desde que la vi" by Los Hermanos Rosario is USJ3V1497656.
Who wrote "Desde que la vi"?
"Desde que la vi" was written by PURA ALVAREZ DE ACOSTA ( DIONISIO MEJIA- GUADULITO).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USJ3V1497656?

USJ3V1497656 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Desde que la vi" by Los Hermanos Rosario. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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