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Paghahandog Ng Sarili album cover

ISRC

USHM81637635

Paghahandog Ng Sarili2

Song: PAGHAHANDOG NG SARILI

Choir Ng BayanGary Granada
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Last verified:

USHM81637635 is the International Standard Recording Code (ISRC) for the recording “Paghahandog Ng Sarili” by Choir Ng Bayan, Gary Granada. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EDUARDO HONTIVEROS.

Format

USCountry
HM8Registrant
16Year (2016)
37635Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

EDUARDO HONTIVEROSComposerLyricist
GARY GRANADA MUSICWORKS OriginalPublisher0.00%
CD BABY RightsAdministrator100.00%

Who publishes this song?

GARY GRANADA MUSICWORKSOriginalPublisher
CD BABYRightsAdministrator
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Paghahandog Ng Sarili" by Choir Ng Bayan?
The ISRC for "Paghahandog Ng Sarili" by Choir Ng Bayan, Gary Granada is USHM81637635.
Who wrote "Paghahandog Ng Sarili"?
"Paghahandog Ng Sarili" was written by EDUARDO HONTIVEROS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM81637635?

USHM81637635 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Paghahandog Ng Sarili” by Choir Ng Bayan, Gary Granada. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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