ISRC

USFI85900188

Tommy's Time

Song: TOMMY'S TUNE

Tommy FlanaganJohn ColtraneKenny BurrellIdrees Sulieman
unmatchedNot yet matched in the MLC database

Last verified:

USFI85900188 is the International Standard Recording Code (ISRC) for the recording "Tommy's Time" by Tommy Flanagan, John Coltrane, Kenny Burrell, Idrees Sulieman. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TOMMY FLANAGAN.

Format

USCountry
FI8Registrant
59Year (1959)
00188Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1959):
Last two digits of the reference year (1959). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TOMMY FLANAGANComposer
LA PLACE MUSIC OriginalPublisherIPI: 00228266562

Who publishes this song?

LA PLACE MUSICOriginalPublisher
IPI: 00228266562

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tommy's Time" by Tommy Flanagan?
The ISRC for "Tommy's Time" by Tommy Flanagan, John Coltrane, Kenny Burrell, Idrees Sulieman is USFI85900188.
Who wrote "Tommy's Time"?
"Tommy's Time" was written by TOMMY FLANAGAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USFI85900188?

USFI85900188 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tommy's Time" by Tommy Flanagan, John Coltrane, Kenny Burrell, Idrees Sulieman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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