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Come Looking for Me album cover

ISRC

USEE10607509

Come Looking for Me2

Song: COME LOOKING FOR ME

Diane Hildebrand
matched
Released 2022-03-15

Last verified:

USEE10607509 is the International Standard Recording Code (ISRC) for the recording “Come Looking for Me” by Diane Hildebrand, released 2022-03-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HILDEBRAND.

Format

USCountry
EE1Registrant
06Year (2006)
07509Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HILDEBRANDComposer
COLGEMS-EMI MUSIC INC OriginalPublisherIPI: 00010397316

Who publishes this song?

COLGEMS-EMI MUSIC INCOriginalPublisher
IPI: 00010397316

Credits Graph

MLC Song Code

C2336Q
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Come Looking for Me" by Diane Hildebrand?
The ISRC for "Come Looking for Me" by Diane Hildebrand is USEE10607509.
Who wrote "Come Looking for Me"?
"Come Looking for Me" was written by HILDEBRAND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEE10607509?

USEE10607509 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Come Looking for Me” by Diane Hildebrand. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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