STRANGERS LIVE AT THE SALT SHED DECEMBER 2023 album cover

ISRC

USDMG2474009

STRANGERS LIVE AT THE SALT SHED DECEMBER 20232

Song: STRANGERS

MT JOY
matched
Released 2024-06-28

Last verified:

USDMG2474009 is the International Standard Recording Code (ISRC) for the recording “STRANGERS LIVE AT THE SALT SHED DECEMBER 2023 by MT JOY, released 2024-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATTHEW RYAN QUINN, JACKIE E MICLAU, JAMES COOPER.

Format

USCountry
DMGRegistrant
24Year (2024)
74009Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTRANGERS LIVE AT THE SALT SHED DECEMBER 2023

People also ask

What is the ISRC for "STRANGERS LIVE AT THE SALT SHED DECEMBER 2023" by MT JOY?
The ISRC for "STRANGERS LIVE AT THE SALT SHED DECEMBER 2023" by MT JOY is USDMG2474009.
Who wrote "STRANGERS LIVE AT THE SALT SHED DECEMBER 2023"?
"STRANGERS LIVE AT THE SALT SHED DECEMBER 2023" was written by MATTHEW RYAN QUINN, JACKIE E MICLAU, JAMES COOPER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDMG2474009?

USDMG2474009 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STRANGERS LIVE AT THE SALT SHED DECEMBER 2023 by MT JOY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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