ISRC
USDM50800003
The Best Is Yet to Come
Last verified:
USDM50800003 is the International Standard Recording Code (ISRC) for the recording "The Best Is Yet to Come" by Natalie Cole, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-070.011.006-0.
Format
- Country:
- ISO 3166-1 alpha-2 country code (US).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2008):
- Last two digits of the reference year (2008). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Related
Other versions of this workView all on iswc.fm
The Best Is Yet to Come
Peter Grant
GBUM70500554
The Best Is Yet to Come
Tony Bennett
GBZTD1105440
The Best Is Yet to Come
Stacey Kent
GBCWU0300016
The Best Is Yet to Come
Frank Sinatra, Count Basie and His Orchestra
USRH10723023
The Best Is Yet To Come
The Mildred Snitzer Orchestra, Scarlett Johansson, Jeff Goldblum
GBUM72406712
More by Natalie Cole
(You’ll Have to Swing It) Mr. Paganini
Natalie Cole, Chaka Khan
USUM70728794
Sleigh Ride
Natalie Cole, London Symphony Orchestra
USEE10181946
Mary, Did You Know
Natalie Cole, London Symphony Orchestra
USEE10181950
Somewhere Along the Way
Natalie Cole
USDM50800015
Willow Weep for Me
Natalie Cole
USDM50800020
The Man That Got Away
Natalie Cole
USDM50800012
People also ask
What is ISRC USDM50800003?
USDM50800003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Best Is Yet to Come" by Natalie Cole. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-070.011.006-0, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
Learn more about ISRCs · Powered by Notes.fm