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I Think I Saw a Ghost (Bronzeman mix) album cover

ISRC

USCGJ1987655

I Think I Saw a Ghost (Bronzeman mix)

Song: I THINK I SAW A GHOST (BRONZEMAN MIX) [FEAT. SHEEK LOUCH, VIC SPENCER, REIGNWOLF & LUKE HOLLAND]

Ghostface KillahLuke HollandReignwolfSheek LouchVic Spencer
unmatchedNot yet matched in the MLC database
Released 2019-03-22

Last verified:

USCGJ1987655 is the International Standard Recording Code (ISRC) for the recording “I Think I Saw a Ghost (Bronzeman mix)” by Ghostface Killah, Luke Holland, Reignwolf, Sheek Louch, Vic Spencer, released 2019-03-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
CGJRegistrant
19Year (2019)
87655Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "I Think I Saw a Ghost (Bronzeman mix)" by Ghostface Killah?
The ISRC for "I Think I Saw a Ghost (Bronzeman mix)" by Ghostface Killah, Luke Holland, Reignwolf, Sheek Louch, Vic Spencer is USCGJ1987655.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCGJ1987655?

USCGJ1987655 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Think I Saw a Ghost (Bronzeman mix)” by Ghostface Killah, Luke Holland, Reignwolf, Sheek Louch, Vic Spencer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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