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ISRC

USCGH2167537

Amor que mata

Song: AMOR QUE MATA

Orquesta Costa Brava
matched
Released 2020-11-12

Last verified:

USCGH2167537 is the International Standard Recording Code (ISRC) for the recording "Amor que mata" by Orquesta Costa Brava, released 2020-11-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FELIPE PINGLO ALVA.

Format

USCountry
CGHRegistrant
21Year (2021)
67537Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FELIPE PINGLO ALVAComposer
FM ENTRETENIMIENTO SAS OriginalPublisher0.00%
SONY/ATV DISCOS MUSIC PUBLISHING LLC RightsAdministrator100.00%IPI: 00339319841

Who publishes this song?

FM ENTRETENIMIENTO SASOriginalPublisher
SONY/ATV DISCOS MUSIC PUBLISHING LLCRightsAdministrator
IPI: 00339319841
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Amor que mata" by Orquesta Costa Brava?
The ISRC for "Amor que mata" by Orquesta Costa Brava is USCGH2167537.
Who wrote "Amor que mata"?
"Amor que mata" was written by FELIPE PINGLO ALVA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCGH2167537?

USCGH2167537 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Amor que mata" by Orquesta Costa Brava. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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