ISRC
USCGH1401729
TAKE THE ""\""A""\"" TRAIN (FEAT. CARL CABANISS, RUSS MITCHELL, DAVID LARKIN, CHUCK BALDWIN, HENRY DEMICHELE, MARK PHELPS, FRANK GAGLIARDI, ANDREW SALIBA, BILL HENDRICK, RON RITHALER, BOB MATHES, JOHN RIDER, VERN RYKER, BRIAN PACE, MORRIS REDDING & ALAN LAMOTTE)GABRIEL WEISS 203 231352349 applemusic true
Song: "TAKE THE ""A"" TRAIN"
Last verified:
USCGH1401729 is the International Standard Recording Code (ISRC) for the recording "TAKE THE ""\""A""\"" TRAIN (FEAT. CARL CABANISS, RUSS MITCHELL, DAVID LARKIN, CHUCK BALDWIN, HENRY DEMICHELE, MARK PHELPS, FRANK GAGLIARDI, ANDREW SALIBA, BILL HENDRICK, RON RITHALER, BOB MATHES, JOHN RIDER, VERN RYKER, BRIAN PACE, MORRIS REDDING & ALAN LAMOTTE)GABRIEL WEISS 203 231352349 applemusic true". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0701779205.
Format
- Country:
- ISO 3166-1 alpha-2 country code (US).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2014):
- Last two digits of the reference year (2014). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
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What is ISRC USCGH1401729?
USCGH1401729 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TAKE THE ""\""A""\"" TRAIN (FEAT. CARL CABANISS, RUSS MITCHELL, DAVID LARKIN, CHUCK BALDWIN, HENRY DEMICHELE, MARK PHELPS, FRANK GAGLIARDI, ANDREW SALIBA, BILL HENDRICK, RON RITHALER, BOB MATHES, JOHN RIDER, VERN RYKER, BRIAN PACE, MORRIS REDDING & ALAN LAMOTTE)GABRIEL WEISS 203 231352349 applemusic true". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T0701779205, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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