ISRC

USC4R0919102

B and G (Midwestern Night's Dream)

Song: B AND G (MIDWESTERN NIGHT'S DREAM)

Gary BurtonPat MethenySteve SwallowAntonio Sánchez
matched
Released 2009-05-26

Last verified:

USC4R0919102 is the International Standard Recording Code (ISRC) for the recording "B and G (Midwestern Night's Dream)" by Gary Burton, Pat Metheny, Steve Swallow, Antonio Sánchez, released 2009-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PATRICK B. METHENY.

Format

USCountry
C4RRegistrant
09Year (2009)
19102Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCB and G (Midwestern Night's Dream)

People also ask

What is the ISRC for "B and G (Midwestern Night's Dream)" by Gary Burton?
The ISRC for "B and G (Midwestern Night's Dream)" by Gary Burton, Pat Metheny, Steve Swallow, Antonio Sánchez is USC4R0919102.
Who wrote "B and G (Midwestern Night's Dream)"?
"B and G (Midwestern Night's Dream)" was written by PATRICK B. METHENY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R0919102?

USC4R0919102 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "B and G (Midwestern Night's Dream)" by Gary Burton, Pat Metheny, Steve Swallow, Antonio Sánchez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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