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STAND UP (LET'S GET MURDERED) [DIRTY] album cover

ISRC

USBWK0500413

STAND UP (LET'S GET MURDERED) [DIRTY]

Song: STAND UP

P.O.S
unmatchedNot yet matched in the MLC database
Released 2006-01-28

Last verified:

USBWK0500413 is the International Standard Recording Code (ISRC) for the recording “STAND UP (LET'S GET MURDERED) [DIRTY]” by P.O.S, released 2006-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by S. PROFFER, P. FRENCH, M.T. THIERS.

Format

USCountry
BWKRegistrant
05Year (2005)
00413Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

S. PROFFERComposer
P. FRENCHComposer
M.T. THIERSComposer

MLC Song Code

S66709
Verify on MLC Portal →
SourcesNotes

Verified on

People also ask

What is the ISRC for "STAND UP (LET'S GET MURDERED) [DIRTY]" by P.O.S?
The ISRC for "STAND UP (LET'S GET MURDERED) [DIRTY]" by P.O.S is USBWK0500413.
Who wrote "STAND UP (LET'S GET MURDERED) [DIRTY]"?
"STAND UP (LET'S GET MURDERED) [DIRTY]" was written by S. PROFFER, P. FRENCH, M.T. THIERS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBWK0500413?

USBWK0500413 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STAND UP (LET'S GET MURDERED) [DIRTY]” by P.O.S. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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