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Disco for a Ride album cover

ISRC

USBR29916511

Disco for a Ride

Song: DISCO FOR A RIDE

Joy Electric
matched
Released 1999-04-20

Last verified:

USBR29916511 is the International Standard Recording Code (ISRC) for the recording "Disco for a Ride" by Joy Electric, released 1999-04-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RONNIE MARTIN.

Format

USCountry
BR2Registrant
99Year (1999)
16511Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RONNIE MARTINComposerLyricist
SONGS BY THE BUSHEL OriginalPublisher0.00%
CAPITOL CMG PARAGON RightsAdministrator50.00%IPI: 00642854042

Who publishes this song?

SONGS BY THE BUSHELOriginalPublisher
CAPITOL CMG PARAGONRightsAdministrator
IPI: 00642854042

MLC Song Code

D45428
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Disco for a Ride" by Joy Electric?
The ISRC for "Disco for a Ride" by Joy Electric is USBR29916511.
Who wrote "Disco for a Ride"?
"Disco for a Ride" was written by RONNIE MARTIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBR29916511?

USBR29916511 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Disco for a Ride" by Joy Electric. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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