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How’d You Like to Spoon With Me? album cover

ISRC

USB961221107

How’d You Like to Spoon With Me?

Song: HOW'D YOU LIKE TO SPOON WITH ME

Rebecca LukerMatthew ScottKate BaldwinPhilip ChaffinHeidi BlickenstaffGraham Rowat
unmatchedNot yet matched in the MLC database
Released 2013-01-18

Last verified:

USB961221107 is the International Standard Recording Code (ISRC) for the recording "How’d You Like to Spoon With Me?" by Rebecca Luker, Matthew Scott, Kate Baldwin, Philip Chaffin, Heidi Blickenstaff, Graham Rowat, released 2013-01-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
B96Registrant
12Year (2012)
21107Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "How’d You Like to Spoon With Me?" by Rebecca Luker?
The ISRC for "How’d You Like to Spoon With Me?" by Rebecca Luker, Matthew Scott, Kate Baldwin, Philip Chaffin, Heidi Blickenstaff, Graham Rowat is USB961221107.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USB961221107?

USB961221107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "How’d You Like to Spoon With Me?" by Rebecca Luker, Matthew Scott, Kate Baldwin, Philip Chaffin, Heidi Blickenstaff, Graham Rowat. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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